Since 1905, the Van Doren family has been making reeds and mouthpieces.
The workshops are situated at Bormes les Mimosas
in the south of France, near the reed beds. Besides housing Vandoren's offices, the Paris site has been developed to offer visiting musicians from France and elsewhere test facilities, practice rooms, and the Espace Partitions, a specialty sheet music store for clarinet and saxophone.
Since 1905, the Van Doren family has been making reeds and mouthpieces. It all began with Eugene
FROM LEFT: EUGENE VAN DOREN, 1905, ROBERT VAN DOREN, 1935, BERNARD VAN DOREN, 1998
Van Doren, who was a clarinetist at the Paris Opera during the Belle Epoque at the end of the 19th century. It was a time when wind players made their own reeds, with greater or lesser degrees of success. Eugene Van Doren must have had the knack: his reeds sounded so good that his colleagues prevailed upon him to sell them some.
But making reeds by hand is a long and tedious business. In order to save time, Eugene, a skillful and gifted engineer, designed and built a special reed-making machine, treadle-operated in the same way as a sewing machine. The reeds he made with this machine in the dining room of his home in the rue André del Sarte were immediately successful, and in 1905 (the year his son was born) he founded a reedmaking business at 51 rue Lepic, which soon took up more of his time than playing the clarinet.
His son Robert also studied the clarinet, graduating from the Paris Conservatoire. He considered a performing career,
and in 1928 left France for a year-long tour of the United States during which he drew attention for the beauty of his
tone. He was one of the first French clarinetist to perform as a soloist at Radio City Music Hall in New York. It was during this tour that American musicians first discovered Vandoren reeds, and since then their popularity in the United States
has skyrocketed.
As the company grew, Robert Van Doren, like his father, found himself devoting more time to making reeds than to his performing career. He soon took over management of the company and in 1935 bought a vacant lot at 56 rue Lepic, Vandoren's present address. It was at about this time that Robert Van Doren started selling a mouthpiece he had developed, the famous 5RV still so popular with professional musicians today.
In 1967, Robert’s son Bernard, blessed with his grandfather’s mechanical genius, joined the company, bringing a third generation into the family business. A new range of mouthpieces was developed under his guidance, the basic model being the B45, which soon became as familiar as the 5RV. Applying the same manufacturing principles as his father and grandfather, Bernard Van Doren developed highly sophisticated machines which have made it possible to reduce manufacturing tolerances to less than one hundredth of a millimeter while allowing output to increase tenfold.
In 1990 the workshops previously situated at the foot of Montmartre were transferred to Bormes les Mimosas
in the south of France, near the reed beds. Besides housing Vandoren's offices, the Paris site has been redeveloped to offer visiting musicians from France and elsewhere test facilities, practice rooms, and the Espace Partitions,
a specialty sheet music store for clarinet and saxophone.
Vandoren B35 mouthpiece : Classic open mouthpiece, highly responsive to every need.
Vandoren A35 mouthpiece : Open mouthpiece, well-adapted to all styles, both jazz and classical.
Vandoren A45 mouthpiece : A warm, velvety sound.
Vandoren A55 mouthpiece : The most open mouthpiece in the V5 range while conserving depth and roundness of sound.
Vandoren B75 mouthpiece : Timbre, brilliance and power.
Vandoren B95 mouthpiece : The jazz mouthpiece of the V5 baritone range.
Vandoren S35 mouthpiece :The jazz mouthpiece: ampleness and density of sound.
Vandoren S15 mouthpiece :The standard soprano mouthpiece.
Vandoren S25 mouthpiece :More open than the S15, greatly appreciated for its register flexibility, suits both classical and jazz. Versatile mouthpiece: suitable for both classical music and Jazz.
Vandoren S27 mouthpiece :Easy to play, homogeneity of sound, beautifully rounded.
Vandoren S27 mouthpiece :Easy to play, homogeneity of sound, beautifully rounded.
Vandoren T15 mouthpiece : Very easy blowing and articulation.
Vandoren T20 mouthpiece : The best sound quality: compact and centered.
Vandoren T25 mouthpiece : Same conception as the T15 but slightly more open.
Vandoren T27 mouthpiece : A comfortable mouthpiece, particularly precise in the upper harmonic register.
Vandoren T35 mouthpiece : An open mouthpiece that works in every style.
Vandoren VA0 mouthpiece : A very closed mouthpiece.
Vandoren VA5 mouthpiece : Versatile and easy blowing, the standard reference.
The VK reed is completely new, both in terms of the material of which it is made and the method of obtaining the material, and is covered by an international patent. The VK reed, and the material of which it is made, are produced in France in Bormes-Les-Mimosas. These reeds are 100% recyclable.
The VK reed is completely new, both in terms of the material of which it is made and the method of obtaining the material, and is covered by an international patent. The VK reed, and the material of which it is made, are produced in France in Bormes-Les-Mimosas. These reeds are 100% recyclable.
The VK reed is completely new, both in terms of the material of which it is made and the method of obtaining the material, and is covered by an international patent. The VK reed, and the material of which it is made, are produced in France in Bormes-Les-Mimosas. These reeds are 100% recyclable.
The VK reed is completely new, both in terms of the material of which it is made and the method of obtaining the material, and is covered by an international patent. The VK reed, and the material of which it is made, are produced in France in Bormes-Les-Mimosas. These reeds are 100% recyclable.
The VK reed is completely new, both in terms of the material of which it is made and the method of obtaining the material, and is covered by an international patent. The VK reed, and the material of which it is made, are produced in France in Bormes-Les-Mimosas. These reeds are 100% recyclable.
The VK reed is completely new, both in terms of the material of which it is made and the method of obtaining the material, and is covered by an international patent. The VK reed, and the material of which it is made, are produced in France in Bormes-Les-Mimosas. These reeds are 100% recyclable.
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