Since 1905, the Van Doren family has been making reeds and mouthpieces.
The workshops are situated at Bormes les Mimosas
in the south of France, near the reed beds. Besides housing Vandoren's offices, the Paris site has been developed to offer visiting musicians from France and elsewhere test facilities, practice rooms, and the Espace Partitions, a specialty sheet music store for clarinet and saxophone.
Since 1905, the Van Doren family has been making reeds and mouthpieces. It all began with Eugene
FROM LEFT: EUGENE VAN DOREN, 1905, ROBERT VAN DOREN, 1935, BERNARD VAN DOREN, 1998
Van Doren, who was a clarinetist at the Paris Opera during the Belle Epoque at the end of the 19th century. It was a time when wind players made their own reeds, with greater or lesser degrees of success. Eugene Van Doren must have had the knack: his reeds sounded so good that his colleagues prevailed upon him to sell them some.
But making reeds by hand is a long and tedious business. In order to save time, Eugene, a skillful and gifted engineer, designed and built a special reed-making machine, treadle-operated in the same way as a sewing machine. The reeds he made with this machine in the dining room of his home in the rue André del Sarte were immediately successful, and in 1905 (the year his son was born) he founded a reedmaking business at 51 rue Lepic, which soon took up more of his time than playing the clarinet.
His son Robert also studied the clarinet, graduating from the Paris Conservatoire. He considered a performing career,
and in 1928 left France for a year-long tour of the United States during which he drew attention for the beauty of his
tone. He was one of the first French clarinetist to perform as a soloist at Radio City Music Hall in New York. It was during this tour that American musicians first discovered Vandoren reeds, and since then their popularity in the United States
has skyrocketed.
As the company grew, Robert Van Doren, like his father, found himself devoting more time to making reeds than to his performing career. He soon took over management of the company and in 1935 bought a vacant lot at 56 rue Lepic, Vandoren's present address. It was at about this time that Robert Van Doren started selling a mouthpiece he had developed, the famous 5RV still so popular with professional musicians today.
In 1967, Robert’s son Bernard, blessed with his grandfather’s mechanical genius, joined the company, bringing a third generation into the family business. A new range of mouthpieces was developed under his guidance, the basic model being the B45, which soon became as familiar as the 5RV. Applying the same manufacturing principles as his father and grandfather, Bernard Van Doren developed highly sophisticated machines which have made it possible to reduce manufacturing tolerances to less than one hundredth of a millimeter while allowing output to increase tenfold.
In 1990 the workshops previously situated at the foot of Montmartre were transferred to Bormes les Mimosas
in the south of France, near the reed beds. Besides housing Vandoren's offices, the Paris site has been redeveloped to offer visiting musicians from France and elsewhere test facilities, practice rooms, and the Espace Partitions,
a specialty sheet music store for clarinet and saxophone.
Vandoren A5 mouthpiece : The tip opening preferred by history’s greatest jazz soloists.
Vandoren A6 mouthpiece : The most played mouthpiece, in every style.
Vandoren A7 mouthpiece : The perfect balance in power and dynamic range
Vandoren A8 mouthpiece : An open mouthpiece with qualities similar to the A5.
Vandoren A9 mouthpiece : Powerful and expressive.
Box of 10 reeds of the same strength in flow-pack individual packaging V16 reeds have a medium-thick heart (more than JAVA but less than Traditionals), with a profile designed for producing a strong attack with a deep, rich sound.
One reed in flow-pack individual packaging V16 reeds have a medium-thick heart (more than JAVA but less than Traditionals), with a profile designed for producing a strong attack with a deep, rich sound.
Vandoren B5 mouthpiece : Flexible in playing and application.
Vandoren B7 mouthpiece : The qualities of the V5 series B75 with the sound of the V16.
Vandoren B9 mouthpiece : Brings out the baritone’s power.
Box of 5 reeds of the same strength in flow-pack individual packaging V16 reeds have a medium-thick heart (more than JAVA but less than Traditionals), with a profile designed for producing a strong attack with a deep, rich sound.
One reed in flow-pack individual packaging V16 reeds have a medium-thick heart (more than JAVA but less than Traditionals), with a profile designed for producing a strong attack with a deep, rich sound.
Vandoren V6 Ebonite T10 mouthpiece : A homogeneous, particularly responsive mouthpiece.
Vandoren V6 Ebonite T11 mouthpiece : Very open; warm, yet powerful.
Vandoren V6 Ebonite T6 mouthpiece : Versatile mouthpiece with a long facing and a particularly rich sound.
Vandoren V6 Ebonite T7 mouthpiece : A good compromise between easy sound production and timbre.
Vandoren V6 Ebonite T8 mouthpiece : The most popular tip opening for the tenor.
Vandoren V6 Ebonite T8,5 mouthpiece : Full and compact.
Vandoren V6 Ebonite T9 mouthpiece : Dynamic, rich and powerful.
Vandoren S7 Metal Soprano Saxophone Mouthpiece: Supple and homogenous with a great ease of emission. A warm yet brilliant timbre make this mouthpiece ideal for a variety of musical styles.
Vandoren V6 Metal T5 mouthpiece : Uniquely available with the large chamber, recommended for use with the ZZ reeds strengths 21⁄2, 3.
Vandoren V6 Metal T5 mouthpiece : Uniquely available with the large chamber, recommended for use with the ZZ reeds strengths 21⁄2, 3.
Vandoren V6 Metal T6 mouthpiece : A very versatile mouthpiece with a medium tip opening. Recommended for use with the JAVA and ZZ reeds # 3. Available in 3 chambers: Small chamber: The original V16 model relabeled with the Small indication. A centered sound with a lot of projection. Medium chamber: Inspired by the famous mouthpieces from the 50's/60's....
Vandoren V6 Metal T7 mouthpiece : An excellent balance between opening and facing length: this is the reference model for the S and M chambers. Available in 3 chambers: Small chamber: The original V16 model relabeled with the Small indication. A centered sound with a lot of projection. Medium chamber: Inspired by the famous mouthpieces from the...
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