Since 1905, the Van Doren family has been making reeds and mouthpieces.
The workshops are situated at Bormes les Mimosas
in the south of France, near the reed beds. Besides housing Vandoren's offices, the Paris site has been developed to offer visiting musicians from France and elsewhere test facilities, practice rooms, and the Espace Partitions, a specialty sheet music store for clarinet and saxophone.
Since 1905, the Van Doren family has been making reeds and mouthpieces. It all began with Eugene
FROM LEFT: EUGENE VAN DOREN, 1905, ROBERT VAN DOREN, 1935, BERNARD VAN DOREN, 1998
Van Doren, who was a clarinetist at the Paris Opera during the Belle Epoque at the end of the 19th century. It was a time when wind players made their own reeds, with greater or lesser degrees of success. Eugene Van Doren must have had the knack: his reeds sounded so good that his colleagues prevailed upon him to sell them some.
But making reeds by hand is a long and tedious business. In order to save time, Eugene, a skillful and gifted engineer, designed and built a special reed-making machine, treadle-operated in the same way as a sewing machine. The reeds he made with this machine in the dining room of his home in the rue André del Sarte were immediately successful, and in 1905 (the year his son was born) he founded a reedmaking business at 51 rue Lepic, which soon took up more of his time than playing the clarinet.
His son Robert also studied the clarinet, graduating from the Paris Conservatoire. He considered a performing career,
and in 1928 left France for a year-long tour of the United States during which he drew attention for the beauty of his
tone. He was one of the first French clarinetist to perform as a soloist at Radio City Music Hall in New York. It was during this tour that American musicians first discovered Vandoren reeds, and since then their popularity in the United States
has skyrocketed.
As the company grew, Robert Van Doren, like his father, found himself devoting more time to making reeds than to his performing career. He soon took over management of the company and in 1935 bought a vacant lot at 56 rue Lepic, Vandoren's present address. It was at about this time that Robert Van Doren started selling a mouthpiece he had developed, the famous 5RV still so popular with professional musicians today.
In 1967, Robert’s son Bernard, blessed with his grandfather’s mechanical genius, joined the company, bringing a third generation into the family business. A new range of mouthpieces was developed under his guidance, the basic model being the B45, which soon became as familiar as the 5RV. Applying the same manufacturing principles as his father and grandfather, Bernard Van Doren developed highly sophisticated machines which have made it possible to reduce manufacturing tolerances to less than one hundredth of a millimeter while allowing output to increase tenfold.
In 1990 the workshops previously situated at the foot of Montmartre were transferred to Bormes les Mimosas
in the south of France, near the reed beds. Besides housing Vandoren's offices, the Paris site has been redeveloped to offer visiting musicians from France and elsewhere test facilities, practice rooms, and the Espace Partitions,
a specialty sheet music store for clarinet and saxophone.
Vandoren BD6 mouthpiece : The natural sound of the clarinet, a rond and rich timbre. The musician will benefit from an unparalleled ease of playing, with HD ebonite.
Vandoren BD6 HD mouthpiece : The sound ans ans playing characteristics enhanced by the acoustic qualties of the HD ebonite. The natural sound of the clarinet, a rond and rich timbre. The musician will benefit from an unparalleled ease of playing, with HD ebonite. Black Diamond BD6 HD mouthpieces are delivered in an antioxidative red felt pouch; P200...
Vandoren BD7 mouthpiece : Characterized by a larger tip opening and volume of sound, while keeping the round and compact sound of the BD5.
Vandoren Black Diamond mouthpiece : The perfect balance between a dark, rich, yet compact sound.
Box of 10 reeds of the same strength in flow-pack individual packaging Their cut is particularly elaborated to suit the characteristics of the German system (Oehler) clarinet mouthpieces. The Black Master reeds have a wider and thicker cut than the White Master reeds. Its cut is designed for Austrian mouthpieces. Thanks to its response and tone...
One reed in flow-pack individual packaging Their cut is particularly elaborated to suit the characteristics of the German system (Oehler) clarinet mouthpieces. The Black Master reeds have a wider and thicker cut than the White Master reeds. Its cut is designed for Austrian mouthpieces. Thanks to its response and tone characteristics, this cut can also...
Box of 10 reeds of the same strength in flow-pack individual packaging Their cut is particularly elaborated to suit the characteristics of the German system (Oehler) clarinet mouthpieces. The Black Master reeds have a wider and thicker cut than the White Master reeds. This cut, in the tradition of the Viennese school, is designed for very closed...
One reed in flow-pack individual packaging Their cut is particularly elaborated to suit the characteristics of the German system (Oehler) clarinet mouthpieces. The Black Master reeds have a wider and thicker cut than the White Master reeds. This cut, in the tradition of the Viennese school, is designed for very closed Austrian mouthpieces, with a long...
Blue felt pouch in navy blue suede to protect mouthpieces, caps, or ligatures.
Pouch in a navy blue antioxidant belt: - Effectively isolates your ebonite mouthpiece from its immediate environment and helps to preserve the silver plating on your clarinets and saxophones. - Protects your metal mouthpiece, or your ligature, against oxidation and scratches, regardless of their finish or coating.
Vandoren CARBON Alto Saxophone Ligature and plastic cap
Vandoren CARBON Bb Clarinet Ligature and plastic cap
Vandoren Clarinet Klassik ligature with cap (choose between plastic or leather). The fiber of the strap was selected for its excellent elasticity and its great resistance. The thin weaving fits perfectly the shape of the reed and the mouthpiece and takes part in the vibration of the reed. The Klassik ligature is supplied with a wooden support in order...
Vandoren Clarinet Leather ligature with cap (choose between plastic or leather) and three pressure plates. Leather, a living material, gives on ideal combination of rigidity and flexibility. Its elasticity absorbs the higher harmonies which often couse a sound to be "bright" or "harsh". It also comes into contact with a larger surface area of the...
Three Vandoren Clarinet Leather ligature pressure plates. This item contains : Three Different Pressure Plates
Vandoren Contrabass Clarinet mouthpiece : Only available upon request. This mouthpiece is available either separately or in a kit with their ligature and plastic cap.
Pleasantly scented with appleblossom fragrance, this grease lubricates and protects instrument cork, keeping it supple and perfectly airtight. Vandoren cork grease has long been a favorite among students and professionals.
Vandoren D15 mouthpiece :A mouthpiece designed in the German tradition which provides a compact sound.
Vandoren D2 mouthpiece : A rich, centered and compact sound; the standard reference.
Vandoren D25 mouthpiece :With a medium opening, this mouthpiece provides a full, centered sound with a rich spectrum of colors. It offers musicians a wide dynamic range while maintaining an excellent intonation. THE NEW STANDARD mouthpiece for German clarinet.
Vandoren double reeds gold beater skin leaf 30x25cm
Vandoren Englis Horn double reed, single pack. Comes in a protective tube.
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